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emerging, mid-career and

blue-chip art in 2026

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Maria Brito

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Nicole Eisenman doesn’t make polite art. This show @52walkerstreet is a reminder that some artists refuse to separate form from conviction. Eisenman’s work is funny, uncomfortable, tender, abrasive, and utterly unwilling to negotiate its
Saturday Night is a show that feels like walking into a room mid-song. Geoffrey Holder’s paintings from the 1980s are lush and cinematic. The dance floor becomes a stage for everything at once: pleasure, power, ritual, community. Holder had t
What I’m paying attention to in 2026…